Imagine you walk into a candy shop, but what you discover inside isn’t candy but rather display after display of subplots. Enough to make any writer’s mouth water, right? Writers love the idea of subplots. They’re rich, juicy, complex, and full of opportunities for taking your story to the next level. But figuring out how […]


Writing Masterclass: Alchemizing Plot, Character, & Theme for Powerful Fiction
Truly resonant stories give us the feeling that nothing about them is accidental. The plot, character arc, theme, symbolism, and even the setting all belong to the same deeper pattern. Everything connects. This is what I’ll be exploring in my Story School class Alchemizing Plot, Character, and Theme, which originally premiered during last year’s WorldShift […]

New Writing Class: What Happens After the Positive Change Arc?
Today, I want to share something new with you… This year, I’m starting a Story School! For years, I’ve taught story primarily through blog posts and books. But there are some topics I’ve been wanting to explore that need the kind of focused attention that allows us to go deeper. So this year, I’ll be […]

Kishōtenketsu Story Structure: What It Is, How It Works, and How It Compares to Western Plotting
Note From KMW: In recent years, one of the questions I’ve been asked most often is whether I’ll write more about Eastern story structure—particularly how it compares to the Western Monomyth and the structural beats I tend to teach. In fact, when I ran my reader survey last year, exploring Kishōtenketsu was one of the […]

The Four-Act Structure and the Circular Shape of Story
When writers start talking about story structure, usually the first things people think of are beats, turning points, and acts. But underneath all of that is a more fundamental question: What is the shape of story itself? Is story fundamentally linear, moving from beginning to middle to end—or does a different pattern emerge? This question […]

The Mirror Moment in Fiction: A Midpoint Method for Plotters and Pantsers
Note From KMW: One of the first writing teachers I remember learning from was James Scott Bell. When I started religiously reading the Writer’s Digest magazine as a young writer, Jim’s regular column always spoke to me. He had a knack for naming high-concept ideas in a way that always felt accessible and practicable. Years […]

5 Ways to Keep the Story Moving Between the Big Moments
Many writers discover that connecting the plot points of a story is far harder than identifying them. It’s easy enough to name the big turning points on a beat sheet, but when you sit down to write the pages that bridge those landmarks, the story can feel as if it’s stalling in the middle. The […]

The Real Purpose of the Second Act (And Why You Can’t Skip It)
What would stories be without their long, uncertain Second Acts? Imagine if characters stepped straight from their first challenge to their final revelation, skipping all the struggle and the wandering in between. Would the thematic Truths they discover carry the same weight? Would we even believe them? Although the Second Act may look like “just […]

“Who Am I?” The Midpoint as Self-Recognition in Story Structure
“Who am I?” is the question that echoes beneath every character arc. At the story’s Midpoint, that central query rises to the surface. This central beat—this all-important Moment of Truth in story structure—functions most symbolically as a moment of self-recognition. It is a mirror held up to the protagonist, often by the antagonist, that reveals […]

The Ultimate Writing Glossary (Story Structure, Character Arcs, and More)
Over the years, I’ve developed a set of terms that have become foundational to how I teach storytelling. A few I’ve coined myself, others I’ve adapted, and some I’ve simply emphasized so frequently they’ve become closely associated with my approach to character arcs, story structure, and theme. Whether you’ve followed my work through this blog […]











