Announcing the Full-Cast Audio Production of Wayfarer!

Today, I get to do something I’ve never done before! I get to announce that my gaslamp fantasy Wayfarer is now available not just as an audio book but as a full-cast immersive audio production complete with original music and sound effects! I cannot begin to tell you how excited I am about this one. Unabridged and […]

The Two Halves of the Third Plot Point

Like all the major structural turning points, the Third Plot Point is made up of two halves—which work together to create a scene arc (even though, technically, the entire arc of the beat might be told over the course of a scene sequence made up of many scenes). The halves that create this arc are […]

The Two Halves of the Midpoint

The Midpoint is unique among the major structural turning points. Not only is it made up of its own two individual halves—working together to create a scene arc—but the Midpoint also marks the dividing line between the two halves of the entire story arc. As we explored last year in our series on chiastic structure […]

Black Friday Deals for Writers

This Black Friday weekend, you can use the code OUTLINE to grab my Outlining Your Novel Workbook software at a special holiday discount of 25% its normal price of $40. (And scroll down for a list of deals from all around the online writing community.)   Start Outlining Your Best Book Today As a reader […]

Happy Thanksgiving, Wordplayers!

Happy Thanksgiving, Wordplayers! I’m taking this week off to focus on the things I’m grateful for in my life. Mostly just for fun, I thought I’d share a random list of some them: Wordplayers! This site, which keeps me learning and writing and thinking week after week, month after month, year after year. Beautiful, beautiful […]

The Two Halves of the First Plot Point

The First Plot Point is one of the most important turning points within the entire structure of story. As with all of the major structural beats, the idea of a “turning point” offers the inherent concept of two halves: turning away from one thing/state into another thing/state. The First Plot Point is often referred to […]

The Two Halves of the Inciting Event

Stories are made of scenes. By one of their simplest definitions, scenes are transitions. They signify a change of some sort—an arc. They start in one place (whether a physical place or an abstract “place”), and they end in another. This is how we determine whether something happens in a scene and whether it “moves […]

6 Questions to Help You Avoid Repetitive Scenes

It takes a lot of scenes to make a novel. Not only do we need enough scenes to progress the plot and get the characters from Point A to Point B, we also need to reach a certain word count so the book can be a novel. (Or the movie can be a movie. Ya […]

Archetypal Antagonists for the Mage Arc: Evil and the Weakness of Humankind

It is appropriate that the final archetypal character arc of the life cycle—the Mage Arc—should be the one to finally confront the ultimate antagonist within the human experience. This is, of course, Evil—in all its abstraction. As the final arc, the Mage symbolizes the end of life and, presumably, its fulfillment. Because the Mage is […]

Archetypal Antagonists for the Crone Arc: Death Blight and Tempter

As the fifth of six archetypal character arcs in the life cycle, the Crone Arc offers the first great challenge of a character’s Elder years. Fundamentally, it is a story about a character coming to grips with the full magnitude of mortality. And indeed Death itself is the primary archetypal antagonist within a Crone Arc—or […]