Eastern vs Western story structure illustration with a yin-yang made of stacked books symbolizing narrative contrast between Kishōtenketsu and the Monomyth.

Kishōtenketsu Story Structure: What It Is, How It Works, and How It Compares to Western Plotting

Note From KMW: In recent years, one of the questions I’ve been asked most often is whether I’ll write more about Eastern story structure—particularly how it compares to the Western Monomyth and the structural beats I tend to teach. In fact, when I ran my reader survey last year, exploring Kishōtenketsu was one of the […]

Is This the Alternative to the Monomyth We’ve All Been Searching For?

From KMW: If you’ve been following my work, you know how much I emphasize the power of Flat Arc archetypes in storytelling—characters like the Child, Lover, Ruler, Elder, and Mentor, who don’t undergo drastic change but instead remain true to their core nature, influencing the world around them. That’s why I’m excited to share today’s […]

Genre Tips: How to Write Horror

Note From KMW: I’ve been delighted to hear that so many of you have enjoyed the “Genre Tips” we’ve been exploring these past five weeks. Today, I’m happy to share a surprise post to finish off the series! Welcome to “How to Write Horror.” As you may remember, I crafted the series around the five […]