Structural timing is one of most prominent features of story structure. This positioning of a story’s important turning points is one of the keys for creating a story that feels right to audiences. As often as not, when something seems off about a story, the problem can be narrowed down to wonky structural timing. This […]
July 25, 2022 by 87 Comments CharactersHow to Structure Stories With Multiple Main Characters?
One of the most common questions I’m asked is how to structure stories with multiple main characters. If you have two (or more) characters who are equally important to the story and receive equal POV time, how should you balance them when structuring your novel? At its core, story structure is a simple equation: one […]
July 18, 2022 by 34 Comments Beginning Your Book7 Tips for Opening Your Story In Medias Res
In medias res is the useful but sometimes tricky writing technique of beginning your story “in the middle” of things. At its most basic, this is simply a solid reminder to begin your story with something happening. This might be action in the traditional sense, but it might also just be the character moving toward […]
July 11, 2022 by 36 Comments Beginning Your BookClearing Up Some Misconceptions About In Medias Res
One of the most significant challenges for writers is crafting a beginning chapter that immediately grabs readers. Most commonly, writers are advised to accomplish this via two different methods: the hook and the technique of beginning in medias res, or “in the middle of things.” But are these really two different techniques? And if not, […]
June 20, 2022 by 27 Comments Novel EndingsUnderstanding the New Normal World of a Story’s Resolution
A story’s Resolution is a tiny section of the overall story. From the perspective of structural timing, the Resolution represents 2% or even less of the story’s total running time. Some stories give it the generous portion of as much as a few chapters. But in other stories, the Resolution may be implied more than […]
June 13, 2022 by 23 Comments PodcastUnderstanding the Underworld of a Story’s Third Act
A story’s Third Act is unique. We often think of the Third Act in terms of its being climactic—and therefore full of excitement and high stakes. And it often is. But ultimately the Third Act fulfills a much more symbolic function within a story. Simply put, it is the proving ground for all the character […]
June 6, 2022 by 22 Comments PodcastUnderstanding the Adventure World of a Story’s Second Act
Every story is an adventure. No matter its genre, focus, or tone, a story is always about an undertaking of some sort, whether cosmically large or familiarly small. This is why writers can use the metaphor of the Adventure World for a story’s Second Act to better understand this crucial part of story structure in […]
May 30, 2022 by 31 Comments Beginning Your BookUnderstanding the Normal World of a Story’s First Act
No matter their genre or focus, stories are about something happening—a shift in the status quo. Where the characters begin is not where they end. This may refer to their literal physical surroundings, or to a more metaphorical state of being—or, very possibly, to both. Whatever the case, it is important for authors to understand […]
May 9, 2022 by 33 Comments CharactersThe Role of the Antagonist in Story Structure, Pt. 2 of 2
One way to think about plot is as a “push-pull between protagonist and antagonist.” Although the protagonist is the character who frames and, indeed, decides the story’s structure, the role of the antagonist in story structure is equally important. Last week, I shared an overview of the antagonist’s role in the first five major structural […]
May 2, 2022 by 28 Comments CharactersThe Role of the Antagonist in Story Structure, Pt. 1 of 2
If you’re a student of story structure, then you probably have a pretty good idea how each of the major plot beats affects your protagonist—and, indeed, how the protagonist in turn drives the plot beats. But what about the antagonist? What is the role of the antagonist in story structure? Plot can be described in […]
