5 Questions About Scene Sequences

In many ways story structure is a fractal pattern. The same patterns we find on the macro level of the entire story arc also repeat themselves, within an ever-tightening spiral, from scene structure all the way down to sentence structure. Somewhere in between story and scene, we find scene sequences. Within the story’s larger narrative, […]

The Power of Chiastic Story Structure (Especially in a Series)

When writers put on their story theorist caps, nothing is more exciting than those moments when you get to recognize consistent patterns emerging within obvious story forms. This is the basis of all of our understanding (and musing) about story, including the chiastic story structure we’ve been studying these past few months. Although writers sometimes […]

The Midpoint as the Swivel Point of Your Story’s Linked Structure

The “saggy middle” of a story is one of the biggest challenges writers face. The Second Act is twice as long as the other two acts and yet is often less clearly defined. What’s a writer to do to keep the pacing just as tight and the events just as interesting over the long haul […]

The Link Between Your Story’s Pinch Points

Of all the paired structural beats in a story, the Pinch Points are perhaps the most obvious. There are only two of them, they have the same name, and they perform essentially the same function in both their first and second iteration. They’re also perhaps the least known and most confusing of all the major […]

The Link Between Your Story’s First Plot Point and Third Plot Point

I often talk about cohesion and resonance as being two of the most important qualities of great stories. Many factors are involved in achieving these effects, but one of the subtlest and yet most powerful is found within the structure of story itself. This is the hidden “circle” of story structure, in which all the important […]

The Link Between Your Story’s Hook and Resolution

On a theoretical level, art often comes down to patterns. As readers and even writers we are not always conscious of these patterns, but whenever we are able to recognize that a story works—or does not work—usually what we are responding to is the comparative effectiveness of certain underlying patterns. This is perhaps nowhere more […]

The Crucial Link Between Your Story’s Inciting Event and Climactic Moment

We talk about story being an arc, but in many ways it is more of a circle. A well-constructed story is a seamless whole in which its two halves reflect each other. We see this clearly in classic story structure, and perhaps nowhere more crucially than in the link between a story’s Inciting Event and […]

Critique: 4 Ways to Write Sequel Scenes That Grip Readers

Scene structure asks for a one-two punch pairing of action and reaction—or as Dwight V. Swain named them in what has come to be considered “classic” scene structure, scene and sequel. The need to write sequel scenes, the reaction half of the equation, is sometimes overlooked and misunderstood. This is unfortunate, since the reaction phase […]

An Intuitive 4-Step Process for Creating Vibrant Scene Structure

Creating scene structure is a key writing skill. Great scenes go a long way toward great storytelling; weak scenes result in weak storytelling. Unfortunately, many writers often struggle with vague, sometimes contradictory approaches to writing scenes. A scene should be a complete narrative unit. It should involve a relatively small number of primary characters—except when […]

6 Steps to Create Realistic (and Powerful) Scene Dilemmas

Scenes are the building blocks of your story. As go your scenes, so goes your story. If the scenes present a solid chain of deliberate structure, that’s what your story will be. But if too many scenes lack focus or dramatic impetus, so will the story. Every aspect of scene structure is important. Any aspect […]