5 Questions for Choosing a Protagonist Who Represents Your Story’s Theme

Choosing a protagonist is often more of an event than a process. Writers sometimes feel more like the protagonist chooses them than the other way around. While most of us heed our first instinct to simply chase after this character to see where he goes, it’s important that at some point we analyze the soundness […]

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Are You Struggling to Be Creative? This Might Be Why

I talk to my wonderful mother on the phone every night. We talk about everything from health to books to psychology to faith to whatever might be making us grumpy at the moment. This week while discussing health and diet, she shared something she’d read that said she was now at the beginning of the […]

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Critique: 10 Ways to Write Excellent Dialogue

For many people, dialogue is the heartbeat of fiction. As arguably the only true form of “showing” in written fiction, it offers an inexhaustible source of energy for dramatizing characters, catalyzing conflict, and enhancing every available opportunity for entertainment. That’s why it’s so important to take full of advantage of dialogue, and that’s why we’re […]

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Creating Your Character’s Inner Conflict: Want vs. Need

Man vs. Self—it’s the most archetypal of all stories. This is because all stories are ultimately rooted in the primal and personal struggle of a character’s inner conflict. As individuals, our conflicts with others or the world itself are almost inevitably either reflections or projections of our inner conflicts—our cognitive dissonances, our conflicting wants and […]

How to Use a “Truth Chart” to Figure Out Your Character’s Arc

“How do I figure out my character’s arc?” This is a question I receive commonly—and with good reason. Not only is your character’s arc central to all your other story choices—plot and theme foremost among them—character arc can also seem like one of the most daunting parts of story. Mostly this is because of its […]

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How to Tell if Your Story Has Too Much Plot, Not Enough Character

Can a story have too much plot? It might surprise you (especially if you’re a regular reader of the site), but the answer is absolutely, yes. Implicit in the question of too much plot is the idea that a story should have more of something else. Usually that something else is character. This is where we […]

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Learn 5 Types of Character Arc at a Glance: The 3 Negative Arcs (Part 2 of 2)

Stories are about change. Sometimes that change is positive, driven by hopeful or even heroic people. But sometimes that change is negative, driven by humanity’s darkest urges and blindnesses. Both stories are necessary, which is why we’re rounding out our two-part series with a beat-by-beat look at the three Negative Arcs—the Disillusionment Arc, the Fall […]

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Learn 5 Types of Character Arc at a Glance: The 2 Heroic Arcs (Part 1 of 2)

There are only two or three human stories, but they go on repeating themselves as fiercely as if they never happened.–Willa Cather The many different approaches to story theory break down the number of “human stories” into different categories. Perhaps there are just two—comedy and tragedy. Perhaps there are Vonnegut’s eight “shapes.” Today, I’m going […]

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How to Make Your Plot a Powerful Thematic Metaphor

Your thematic metaphor is the unifying idea that emerges as the meaning behind your characters’ adventures in their story world. Once you have identified your story’s thematic principle, the real work begins. How will you seamlessly join theme to plot? Masterful authors create stories that, on their surfaces, may seem to be entirely plot—and yet […]

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Publisher Rocket: What Is It? And How Can It Help You Sell Books?

There are two great questions faced by every writer. One is How do I write a great book? And the other is How do I get people to buy it?  Inherent in both answers is a lot of demystification, dedication, discipline, and hard work. Most of the discussions on this site are in answer to the first […]