The first quarter of your story hinges upon two important and irreversible moments: the inciting event and the key event. I’ve saved our discussion of inciting and key events until this late into the series because these events can take place at any number of the structure points we’ve already discussed. Now that we’ve got a sense of […]


The Secrets of Story Structure, Pt. 4: The First Plot Point
Stories are a series of scenes. Some of those scenes are expected, some of them are even purposefully repetitious for the sake of emphasis. But some scenes change everything. These game changers are the plot points. They introduce significant elements and events that alter the subsequent course of the story. Your story can have any […]

The Secrets of Story Structure, Pt. 2: The Hook
Readers are like fish. Smart fish. Fish who know authors are out to get them, reel them in, and capture them for the rest of their seagoing lives. But, like any self-respecting fish, readers aren’t caught easily. They aren’t about to surrender themselves to the lure of your story unless you’ve presented them with an irresistible hook. Our discussion […]

The Secrets of Story Structure, Pt. 1: Why Should Authors Care?
What’s the single most overlooked, misunderstood—and yet most important—part of storytelling? If you cheated and looked at the title, you already know the answer is structure. Most uninitiated writers have two different reactions to the idea of story structure. Either they think it’s great, but too mystical and lofty to be understood by common mortals, […]

Reading With Attention
Reading for Plot Structure Whatever book you’re reading right this very minute, take a quick second to look in the back and see how many pages it has. Rounded, I mean. Find a scrap of paper or a used envelope and jot this down at the bottom: total number of pages. Now divide that […]

Why You Should Spend More Time on Character Development Than Action
Authors sometimes feel pressured to dive right into the action of their stories—at the expense of important character development. Because the last thing we want to do is write a boring story, we sometimes overreact by piling on explosions, fight sequences, and high-speed car chases to the point we’re unable to spend important time developing […]











