Hello, welcome to Everything You Need to Know About Backstory! I’m K.M. Weiland, and you are listening to the Helping Writers Become Authors podcast or watching it because this is also a video post. This video is in answer to a question from SW, who asked: “I’m interested in how you figure out how to […]
April 17, 2023 by 60 Comments BackstoryPrologues vs. Flashbacks (Backstory Techniques, Pt. 1 of 3)
If you want to rev up a group of passionate writers, just bring up the topic of backstory. As much as we love our stories, we often love our backstories even more. If plot offers a what and a how, backstory is often the why. It can provide both context and subtext, bringing depth, understanding, and […]
November 12, 2018 by 82 Comments Beginning Your Book5 Ways to Successfully Start a Book With a Dream
Don’t start a book with a dream. This has become one of those bits of writing advice that has passed into legend, right along with “show, don’t tell” and “write what you know.” There are so many good reasons for this. Dream openings are notorious for being boring, irrelevant, misleading, and cliched. As a “fake” opening, […]
February 15, 2016 by 94 Comments How to Become a Writer5 Important Ways Storytelling Is Different in Books vs. Movies
These days, everyone is writing movies. Including novelists. Not screenplays, mind you, but even if you’ve never touched a Celtx program and will never see your story on the big screen, you’re still writing movies. Our society is saturated by visual storytelling. It’s the cool kid on the block, da boss. Whether we’re talking Hollywood movies, TV shows, […]
April 26, 2015 by 119 Comments Beginning Your BookFind Out if Your Prologue Is Destroying Your Story’s Subtext
You hear it all the time: prologues are evil. (And writers everywhere commence howling.) Now I’ll grant that “evil” is a slight exaggeration. We might call them “dangerous” instead, except that word is pretty ironic, since one of the chief reasons a prologue is so dangerous is because it allows authors to play it waaaaay yonder […]
May 13, 2012 by 78 Comments Structuring Your NovelThe Secrets of Story Structure, Pt. 12: Your Questions Answered
Because of its fixed nature, story structure, once learned, is easy to grasp. However, it’s also a subject that inspires endless questions. A few weeks ago, while I was finishing up the last of the posts in this series, I asked those of you who follow me on Facebook and Twitter for story-structure questions you’d like me to address before […]
January 4, 2012 by 25 Comments Beginning Your BookHook Readers With a Sneak Peek
This week’s video discusses how to hook readers with a “flashforward” at the beginning of your novel, similar to the one Edna Ferber used in Show Boat. Video Transcript: As many followers of my website probably already know, I am not a big fan of prologues or other gimmicky framing techniques for the beginning of […]
April 6, 2011 by 48 Comments Beginning Your BookDo You Need a Prologue? One Way to Tell
Do you need a prologue? This question confronts authors in every story they write. Unfortunately, in large part because authors don’t always understand the true function of prologues (and epilogues), the answer often results in unnecessary padding. So can how can you tell when you need a prologue in your story? And when don’t you need […]
February 10, 2010 by 19 Comments Novel EndingsHow to Write an Epilogue That Works: 5 Tips
Want to learn how to write an epilogue that works? First, you need to understand why so many epilogues don’t work. How Not to Write an Epilogue Epilogues, like prologues, are, by their very definition, extraneous. As a result, they’re often unnecessary. Too many epilogues are self-indulgent happily-ever-afters by authors who want to make sure the reader […]
January 8, 2008 by 39 Comments Beginning Your BookWhen Not to Skip the Prologue
If you read last week’s post, “Skip the Prologue,” you’ve hopefully seen some of the reasons prologues are often a bad idea. Even prologues that escape being boring information dumps tend to delve into the dangerous waters of distancing a reader from the main story. Having invested their interest and emotion in a prologue, a […]
