Most Common Writing Mistakes: Characters Who Lack Solid Story Goals

Characters have to want something, right? That’s the whole point of a story. The protagonist wants something; the antagonistic force gets in the way; conflict ensues. Bing, bang, boom. So it’s totally a no-brainer to point out that a book in which a character lacks solid story goals is a book that’s not going to […]

Is Plot or Character More Important?

Today, I’m guest posting on Mythic Scribes with a post titled “Is Plot or Character More Important?” Here’s an excerpt: “Plot or character”—we hear it all the time, as if the two were mutually exclusive. Either your book is plot-driven or character-driven. Can’t possibly be both, right? And anytime we run afoul of an either/or conundrum, […]

Action and Reaction in Plot: The Building Blocks of Story Structure

Today, I’m guest posting on Jody Hedlund’s blog, with the post “Action and Reaction in Plot: The Building Blocks of Story Structure.” Here’s an excerpt: Sometimes writers get a little freaked out by the idea of story structure. Too complicated, too confining, too vague. This is ironic, since structure, when properly understood, actually simplifies the […]

Shocked woman reader.

How to Shock Your Readers—in a Good Way

You want to give readers everything they’re hoping for when they pick up your story. Somewhat contradictorily, one of the things they’re hoping for is to be shocked. Readers love it when authors surprise them. Backbones straighten up, mouths fall open, breaths get sucked in, heart rates speed up. It’s awesome! (As a writer, the […]

Your Secret Weapon Against Story Coincidences

Your Secret Weapon Against Story Coincidences

Coincidences may be charming enough in real life, but in fiction, they’re a fast track to wrecking your readers’ suspension of disbelief. A clever rule of thumb is that it’s all right to use a coincidence to get your characters into trouble, but never to get them out. This not only rules out deus ex […]

How to Dig for Your Best Story Idea

This post is by Carrie Spencer. I remember the first manuscript I wrote—after I decided to become a romance writer. Do you? I was forty-seven, had a decent command of the English language, and thought, For as many romance novels as I’ve read, this should be a piece of cake. I should have thought, a piece of tripe. Oy. […]

12 Tips for Writing and Releasing Collaborative Book Bundles

Episodic Storytelling? Here’s Why

The term “episodic” is rarely a compliment when used for a novel. What it usually indicates is a herky-jerkiness to the plot, a lack of cohesion, and an overall story arc that doesn’t pull together into a concerted theme. Not exactly what most of us are striving for. What we want is for the plot, […]

Why Stupid Characters Make Stupid Stories

In a previous post, I talked about how readers will put up with just about any flaw in a character except cowardice. But that isn’t the entire truth. There’s another character flaw readers loathe—and that is stupidity. Now it’s true readers will forgive this flaw up to a point. Everybody makes mistakes, everybody has to […]

6 Ways to Pull Off Dual Timelines in Your Novel

Some stories are so complicated they require not just one, but dual timelines to tell everything. Often, this is the result of an intricate and integral backstory, such as we might find in Margaret Atwood’s The Year of the Flood or Ann Brashares’s My Name Is Memory, which switch back and forth from a “present-day” […]

Does Your Story Need Subplots?

We’re always hearing about subplots. But what exactly are they? And does your story really need subplots? In a nutshell, a subplot is just a miniature plot that features a sideline story. If your story is about an escaped convict who’s trying to prove his innocence, your main plot is going to be his escape, […]