7 Tips for How to Add Complexity to Your Story

So you want to add complexity to your story. Most authors do. Complexity just sounds so… sophisticated. It sounds like one of those novels or films that are taken apart and analyzed by really smart critics and professors. It sounds like taking your story to the next level. And in some ways, it is. Complex […]

Move the Plot2

What Does It Mean to Move the Plot?

“Move the plot, move the plot—everything in your story must move your plot!!!” So rail all writing professors. Meanwhile, the writers themselves just want to bang their heads against their keyboards in desperate frustration. “Okay, yes, fine, great—I want to move the plot. But what does that even meeeeaaannnn?!?!?!?!” (Enough interrobangs, for you?) (No?) (Okay, sorry: […]

4 Ways to Write Backstory That Matters (How to Outline for NaNoWriMo, Pt. 5)

There are two equally vital parts to any story: the part you see and the part you don’t. The context and subtext. The story and the backstory. Whether you’re trying to figure out how to outline for NaNoWriMo (only one day away!) or just needing a game plan for your next work-in-progress, one of the most […]

Learn to Write Deep and Rich Story Conflict

Learn to Write Deep and Rich Story Conflict

What is story anyway? We could explain it in any number of ways, but it’s hard to come up with anything pithier or more accurate than the old saw: No story conflict, no story. If we flip that on its head, we could just as easily say: Story=conflict. Why? Obviously, conflict is pretty entertaining on its own […]

The Pixar Way to Think About Story Conflict

This week’s video offers two lessons you can learn from the complicated story conflict in Toy Story to improve your own writing. Video Transcript: Conflict, conflict, conflict! It’s like this mantra among fiction writers, right? And we all nod our heads in agreement, because we all know story conflict is integral to good storytelling. But […]

Come Up With a Killer Story Concept Before You Start Writing

Come Up With a Killer Story Concept–Before You Start Writing

Readers only ever see the words of the novel. They have no insight into the planning process, how the story concept came about, or the number of ideas and subplots that may have been taken out of the novel or replaced. But when you sit down to write a novel, don’t make the mistake of thinking the only work […]

Scene Structure Exceptions: Incidents and Happenings

After our recent series about scene structure, it might seem that everything in a book must be tied down hard and fast within that framework. But what about when something in your story doesn’t seem to fit into the goal/conflict/disaster paradigm of the scene? What if something happens (and needs to happen) that doesn’t create conflict and doesn’t end […]

Structuring Your Story's Scenes: Variations on the Sequel

Structuring Your Scenes, Pt. 11: Variations on the Sequel Scene

Sequels*, even more than scenes, offer all kinds of flexibility in scene structure. In large part, this flexibility is what can make sequels difficult to quantify in stories. Unlike the scene, sequels can be so subtle they blend right into the scenery. This can sometimes lead authors to believe sequels aren’t as important as scenes, but their flexibility […]

If You Know Your Character's Goal, You Can Rivet Your Readers' Attention

If You Know Your Character’s Goal, You Can Rivet Your Readers’ Attention

Today, I’m posting over on AuthorCulture, with the post “Do You Know What Your Character’s Goal Is?” Here’s an excerpt: Without question, the driving force of fiction is conflict, and the only way to create conflict is to create a character who wants something he can’t immediately have. This takes many different forms, everything from a bereaved […]