Voice in fiction is crucial—but also elusive. First, writers must consider their own authorial voices, then the story’s specific narrative voice, and last but certainly not least character voices. In fact, if you’re writing fiction, the most important voices on the page technically aren’t yours, but your characters’. All of ’em. And they all need […]
October 31, 2022 by 47 Comments CharactersTop 14 Tips and Tools for Creating Unique Character Voices
June 24, 2019 by 50 Comments NarrativeCritique: 4 Ways to Write Gripping Internal Narrative
The old joke about how “the book was better than the movie” is a reflection of several attributes written fiction offers over visual fiction. One of the main ones is the ability to get inside characters’ heads via internal narrative. Narrative, by its very nature, is narrated by someone. Usually, that someone is the protagonist. […]
November 13, 2017 by 25 Comments How to Become a Writer5 (Not-So-Little) Additions to the Great Novel-Writing Checklist
Learning how to write a successful novel is largely a matter of memorizing and mentally tracking the vast number of “parts” that make a story run. Honestly, this alone is sometimes the hardest part of the entire job. There’s a lot to remember—which is why, today, we’re going to look at the second part of our […]
November 6, 2017 by 73 Comments Most Common Writing MistakesMost Common Writing Mistakes, Pt. 63: Purple Prose
Words, glorious words! Fellow logophiles, were we not initially drawn to writing because of our sesquipedal amours? We love words. We love big words, arcane words, chewy words, beautiful words. We love combinations of words that are bold, poetic, eloquent, and sometimes even showy. So it’s little wonder many of us risk creating purple prose. […]
July 17, 2017 by 42 Comments NarrativeWriting Voice: 6 Things You Need to Know to Improve It
Writing a book isn’t just a discovery of the story, it’s also a discovery of yourself. Who are you, really? The answers you find appearing on the screen with each word you type can be surprising. And nowhere is the truth about an author revealed more unequivocally than when you open your literary mouth, loosen […]
June 30, 2017 by 33 Comments Point of View6 Questions to Help You Choose the Right POV
Stories are defined by their narrators. Narrating characters implicitly tell us whose story this is. More than that, they determine which facets of plot and theme will be emphasized. How do they do this? By also determining which elements will be eliminated or sidelined. In short, figuring out how to choose the right POV for your […]
May 5, 2017 by 68 Comments NarrativeHow to Write in an Authentic Historical Voice
Let’s say you’re writing a book set in the 14th Century. Naturally, as a diligent and conscientious writer, you want to do your research and write with an authentic historical voice. In fact, you’re so good and so authentic that what you end up with is something like this: Whilom, as olde stories tellen us, ther […]
November 9, 2015 by 40 Comments Narrative6 Steps to Create a Fantastic Narrative Voice (What I Learned Writing Storming)
You hear it all the time: readers’ time is precious, and they’re not going to waste it on books that aren’t da bomb. I certainly feel that way about my own reading choices. What’s my main criterion for instantly recognizing when a book isn’t going to be worth my time as a reader? Voice. It all comes […]
March 25, 2015 by 93 Comments Point of View1st-Person POV vs. 3rd-Person POV: Which POV Is Right for Your Book?
This week’s video discusses the pros and cons of 1st-person POV vs. 3rd-person POV in order to help you make the right decision for your book. Video Transcript: Few decisions are more crucial to your story than that of point of view (or POV). This is a multi-faceted decision, involving the questions: Who’s going to […]
February 27, 2015 by 52 Comments ProseTo Be or Not To Be: In Defense of the Passive Voice
Recently, one of my critique partners asserted that any use of the verb to be formed the passive voice and deserved to be stamped out with as much vigor as possible. This got me to thinking about that misunderstood verb form and the use of passive voice in modern fiction. All of my critique partners […]
