One of the main pursuits of any writer is story conflict. The old saw tells us, “no conflict, no story,” so we’re always chasing after this little friction-causing engine. But as with so many things in writing, sometimes concentrating on the thing itself ends with us missing the forest for the trees. Story conflict is […]


How to Identify Your Story’s Premise–and Its Most Important Part
A high-concept premise can make or break your book—but not in the way you might think. It’s not enough just to come up with a cool idea for your book. You also have to make it work on every single page. Otherwise, no matter how cool it is, it quickly becomes the wrong premise. The key to […]

How to Write Unexpected Story Events
Stories are all pretty much the same. Something happens that inspires something else to happen that inspires a resolution of some sort. With all the billions of stories out there, it’s no surprise we see the same plot elements recycled frequently. But don’t let the frequency of blasé, expected plot events become an excuse. Instead, […]

3 Tips for Weaving Together Your Story’s Pieces (How to Outline for NaNoWriMo, Pt. 6)
Figuring out how to outline a novel is not a linear process. Particularly in the early brainstorming stages, outlining is not a simple progression from Step A to Step B. Your brain is going to be bouncing all over the place: Step A makes you realize something about Step Z, which makes you realize something about […]

How to Find and Fill All Your Plot Holes (How to Outline for NaNoWriMo, Pt. 4)
What is the single most important job of an outline for NaNoWriMo—or any other book at any other time of the year? We might come up with lots of answers, but they all tend to boil down to just this one: avoiding plot holes. I hate plot holes. They drive me bazooey. There you are, […]

Start Your Outline With These 4 Questions (How to Outline for NaNoWriMo, Pt. 2)
“Where do you start your outline?” is a question I often receive. Now, if the obvious answer “start at the beginning” were, in fact, the right answer, no one would be asking this. The reason writers ask this question is because, when properly approached, outlines are anything but linear—which can make the “beginning” rather hard to identify. Whether you’re […]

4 Places to Find Your Best Story Conflict
Part 6 of The Do’s and Don’ts of Storytelling According to Marvel Got a flabby story on your hands? No problem, I got a flashy cure: story conflict. Now, before you roll your eyes and board the Yeah-Yeah-Heard-That-Before-Got-It-Thanks train, let me check your ticket. Because story conflict is neither so simplistic, nor so easy as many […]

How (Not) to Write Satisfying Action Scenes
Part 2 of The Do’s and Don’ts of Storytelling According to Marvel Imagine this. You sit down to write the biggest action scenes in your entire story. They’re gonna be epic. Giants will collide. Empires will topple. The conflict will be definitively decided once and for all–and readers will be glued to the page. This is, no doubt, exactly what the folks […]

How to Plot a Book: Start With the Antagonist
I hate antagonists. Not so much because they’re, you know, the bad guys. No, I hate them because 90% of the time, they bore me into catatonia. Evil plan to take over the world? Yawn. Just please do whatever you gotta do to make the hero look good. That’s how many authors approach their antagonists–as an […]

3 Resources You Need to Unlock Fascinating Character Goals
Arguably, the single most important decision you can make in any story is that of character goals. What do your characters want and how will they go about trying to get it? This is the whole theory of story all in a nutshell. I receive many questions from writers who are struggling with plot problems. Easily […]











