One of the stickiest questions any writer is likely to face is: What’s the difference between a reactive protagonist and a passive protagonist? If you’ve been studying story structure with me, then you know I talk a lot about how your protagonist needs to be reactive in the first half of the book. But this idea […]


Are You Overusing Passive Verbs?
In narrative writing, active verbs are usually preferable to passive verbs for the simple reason that the active voice offers more options for bringing a sentence to life and infusing it with… action! Although passive verbs certainly have their place, it’s good to remind ourselves from time to time of how much more power we […]

Most Common Writing Mistakes: Are You Using “There” as a Crutch?
When used as a pronoun, the utilitarian word “there” becomes an insidiously easy way for writers to get their point across. “There” gets the job done, no doubt about it. But using “there” at the beginning of sentences and phrases is the lazy way out. Whenever you see the word “there” used as a pronoun, […]

10 Ways to Write Skinny Sentences
If brevity is the soul of wit, then economy is the energy of prose. Let’s hear it for skinny sentences! Don’t get me wrong: I love complex, twisty, beautiful sentences. As Aleksandar Hemon pointed out in an interview with The Writer magazine: I like to push language toward poetry, to activate the dormant possibilities inherent in it. […]

Active Voice vs. Passive Voice: How to Use Both to Get the Most Out of Your Writing
Most of us learned about sentences in grammar school. Most of us also promptly forgot all about them after grammar school. This is why, I presume, the art of correctly using the active voice and the passive voice in our fiction is something almost all of us have to relearn at some point in our […]











