
In false suspense, we’re telling readers something exciting or dangerous is happening when it really isn’t. In false conflict, we’re dredging up antagonism between two or more characters over issues these characters wouldn’t naturally fight over.
I’m going to say this is most common in romantic comedies, in which the author has to keep the two leads at odds throughout the story—because the moment the guy gets the girl, the story ends. So even though these people are madly in love, the author throws in false conflicts, such as small misunderstandings that blow up into big arguments, petty squabbles, etc.
Technically, this sort conflict works within the mechanics of the story. It keeps the characters from achieving their goals too quickly, and it creates the opportunity for interesting situations and dialogue. But when the conflict doesn’t make sense according to the personalities of the characters and the needs of the plot, it frustrates readers. This is particularly true when a little conflict blows up into a big conflict for no good reason. So keep an eye on your story’s conflict, just to make certain your characters are always acting honestly.
