
For Example:
- The hero of Inception is haunted by his wife’s suicide.
Inception (2010), Warner Bros.
- Mistborn’s Kelsior is haunted by his wife’s death as a slave in the mining pits.
- Peter Parker is haunted by the murder of his Uncle Ben.
Spider-Man (2002), Columbia Pictures.
- Bleak House’s Esther Summerson is haunted by her illegitimate birth.
Bleak House (2005), BBC Television.
The list goes on and on.
What all these characters have in common is the depth of their backstories. They arrive at the beginning of their stories with baggage already in tow. Not only does this give you the opportunity to tantalize readers with your characters’ mysterious pasts, it also gives the characters themselves more to overcome and more to be motivated by. The backstory ghost is often at the core of their internal conflict.
>>Click here to read Creating Stunning Character Arcs: Your Character’s Ghost
>>Click here to read The #1 Key to Relatable Characters: Backstory
>>Click here to read Give Me 3 Minutes and I’ll Give You a Better (and Darker) Backstory
>>Click here to read What’s the Difference? Your Character’s Ghost vs. Wound vs. Lie vs. Weakness
A Princess of Mars by Edgar Rice Burroughs (affiliate link)
In contrast to all these successful backstory ghosts, consider the book that got me thinking about all this recently. Edgar Rice Burroughs’s beloved A Princess of Mars presents a main character who has no backstory ghost. Even though his past as a Confederate soldier and general adventurer offers all kinds of opportunities for a backstory ghost (as, indeed, we find manifested in the death of a wife and child in the recent adaptation John Carter) the author never took advantage of the opportunities.
John Carter (2012), Walt Disney Pictures.
Those who love the classic book aren’t likely to complain, but just the inkling of a backstory ghost would have gotten even more interesting mileage out of this character.
