
The House on the Strand by Daphne du Maurier (affiliate link)
For example, consider how, in her time-travel book The House on the Strand
The Qualifications of an Antagonist: Opposing Goals
Most of the tension in the book is the result, not of a super-villain out to do unspeakable things to the hero, but instead the protagonist’s wife. Each have (relatively) reasonable, normal, and ethical goals throughout the story.
The protagonist wants to:
- Keep his time travelling, via an experimental drug, a secret.
His wife wants him to:
- Leave England
- Take a high-paying job in America
- Drop his long-time friendship with the eccentric professor who invented the drug
- Generally behave as a responsible husband and father
Neither of these characters is a “villain,” but their opposing goals put them at odds throughout much of the story.
How to Mine Your Story for Secondary Antagonists
An antagonist doesn’t have to be someone who wants to kill the protagonist. An antagonist can be anyone who stands in the way of the hero accomplishing his goal, whether his goal is to save the world or just order a double latte.
The more roadblocks you put between the hero and his goal, the more conflict—and the more tension—you’re going pour into your story.
Take a second look at even the friendliest of your characters and see if you can’t use their ordinary, everyday, mostly innocuous goals to antagonize your protagonist in ways large and small.
Your protag may not thank you for it, but your readers will!
