Why Your Hero Absolutely Must Pet the Dog

Some characters are born with “lovable” written all over their cute little faces. But some just pop out ugly—and mean—and generally rough around the edges. Most of my protagonists are people who have made major mistakes in their lives (we’re talking killing people, selling out to the dark side, and, in one case, putting sugar in the salt shakers). They’re scarred, they’re cranky, sometimes they’re just plain wrong. I can tell you right now that even I, their creator, wouldn’t want to run into some of them in a dark alley.

There’s a little trick authors can use to make even their darkest anti-heroes sympathetic.

It’s what TV writers call pet the dog or save the cat. All you have to do is insert a scene in which the character—who’s presumably embattled on every side—pauses a moment, perhaps at risk to himself, to help something or someone who as, James Scott Bell explains in Revision and Self-Editing, is “weaker and more vulnerable than he is.” Bell goes on:

A pet-the-dog beat, properly executed, creates great sympathy for the character, while at the same time may add to the suspense. It doesn’t have to be a literal dog, but any other character who is vulnerable.

For example, in John Robinson’s mystery Until the Last Dog Dies, gruff PI Joe Box adopts a scruffy alley cat and mourns when he believes the cat dies in a house fire. In the Coen brothers’ recent movie adaptation of True Grit, “notorious thumper” and general rough character Marshal Rooster Cogburn nonchalantly wallops two Indian boys who are mistreating a mule. And who could forget assassin Léon’s devotion to his Japanese peace lily in Luc Besson’s The Professional?

Your hero might also win audience sympathy through his devotion to a person, such as Katniss Everdeen’s sacrificial love for her younger sister Prim in Suzanne Collins’s The Hunger Games. Or Dr. Richard Kimble’s risking his disguise to diagnose a car wreck victim in Andrew Davis’s The Fugitive. Or the people of Guernsey’s adoption of a war orphan in Mary Ann Shaffer and Annie Barrows’s The Guernsey Literary and Potato Peel Pie Society.

Your pet-the-dog scene must be organic to your character and your story.

Having your hero dive into the middle a firefight to save a lop-eared puppy won’t work unless the puppy’s survival drives the plot forward. In some stories, petting the dog becomes the story, as in L.M. Montgomery’s classic children’s story Anne of Green Gables, in which a crotchety woman adopts an orphan girl and is transformed by the experience. Or as in Frank Capra’s movie It’s a Wonderful Life, which features its cranky, unhappy hero looking out for other people over and over again.

If you find yourself with a dark character on your hands, stop worrying about whether or not audiences will like him and up the odds by giving him a dog to pet. After all, even bad guys love their mommas. A pet-the-dog beat won’t salvage an unlikable character if petting the dog is his only good deed, but audiences will be much more likely to connect to even the crankiest, grumpiest, most misunderstood anti-hero when the character reaches out and shows compassion to a brown-eyed puppy dog.

Tell me your opinion: What’s your hero’s pet-the-dog scene?

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About K.M. Weiland | @KMWeiland

K.M. Weiland is the award-winning and internationally-published author of the acclaimed writing guides Outlining Your Novel, Structuring Your Novel, and Creating Character Arcs. A native of western Nebraska, she writes historical and fantasy novels and mentors authors on her award-winning website Helping Writers Become Authors.


  1. Didn’t realize that there was a name for these moments! 🙂

    I also didn’t realize mine already had this moment until I really thought about it. Without this moment, my adolescent male MC would probably come off surly and a typical rebellious teen. But, his PTD moment is with his 6-year-old sister, who’s quite sick. After she’s finished taking a bath, he carries her, wet towel and all, to her bedroom, and tucks her in bed. He asks her if she’s alright and if she needs anything else, then hugs her hard, sincerely. The reader then realizes that all of his reactions to his parents and the bullies at school is all harping back to this point – how to save his dying sister. All of my current beta-readers love him because of this sweet side.

    Very cool post! Thanks!

  2. Perfect! Little kids are often even more effective than animals, since not only are they super cute, but they’re also more intricately related to the plot and the character’s development.

  3. Great post. And how interesting it is when a villain is seen petting a dog. The reader thinks, “How bad can this dude be if he stops to pet a dog before knocking over that grocery store?” In fact, now that I think about it, the bad guy in SILENCE OF THE LAMBS has “Precious” — the love of his life. But that relationship only makes him scarier, rather than compassionate. Hmmm… something to think about as I write my next thriller. Keep up the good work!!

  4. Bad guys – especially the *really* bad ones – are easier to compartmentalize if we can’t relate to them. The moment they become relatable is the moment they become scary – because it’s also the moment they become real.

  5. Thoughtful and useful post. I love animals, both wildlife and pets, so I always put them in my books. Usually my characters are animal lovers from the get-go, but in my latest mystery, I had the detective start off ready to take the pets his ex-wife left behind to the pound, but then over the course of the book he comes to appreciate the intelligence and personalities of all animals. So I certainly hope that readers and pet lovers who get upset at my protagonist in the beginning keep reading!

  6. Animals are always one of my favorite details in any story. I grew up around horses, and I love dogs and cats, so they’re a no-brainer for most of my stories.

  7. omg, yes yes! I’ve heard about this pet the dog trick, and I didn’t even know that’s what it was called, but I SO use it. It’s like Shakespeare’s yin-yang trick. All bad guys, a spot of good. All good guys a spot of bad. Makes them more real. Good stuff, girl~ :o) <3

  8. Verisimilitude! None of us are pure white or pure black. That’s what makes the human race so interesting.

  9. This was so insightful! I really loved it, I shall have to add this aspect to my stories. I have a villain who has a habit of “petting dogs” and yes it certainly makes him more creepy.

    Thank you so much for sharing!


  10. Oh, sorry this feels a little presumptuous but I am having a little music giveaway at my blog and I’d love to have you join. It’s a young film composer with some amazing music.
    Have a lovely day!

  11. Petting cats is a trope in itself when it comes to villains. The cat-stroking villain is a sure sign of evilness in the western world.

    Thanks for the info about the giveaway! I’ll check it out.

  12. I’ve heard this before. A ‘save the cat’ moment.

  13. You’re right. It’s alternately called a save-the-cat beat.

  14. My MC watches over her dad and sister and protects them, even from herself.

  15. Sounds like an interesting MC!

  16. If you are going to steal from Blake Snyder’s “Save the Cat!” at least give him credit!

  17. This idea didn’t originate with Snyder. “Petting a dog” is a well-known screenwriting term.

  18. I’m totally with you on this. It makes a big impact to me as a reader to see that compassion in a protagonist.

    I’m curious though — why do you think some books gain popularity without it? The first one that comes to mind for me is A Clockwork Orange. Really awful main character that the reader feels no sympathy for until midway through the book (I think . . . it’s been a while). Yet a lot of people love this book. In fact, it was required reading for me in college.

    • K.M. Weiland | @KMWeiland says

      The exception that breaks this rule is usually a story of the tragic variety. Negative character arc stories have long piqued humanity’s interest, but it’s usually more the fascination with the unlikable characters’ descent than any personal connection (such as would be created by a pet the dog moment) that keeps us reading.

  19. (Reading through some of your older posts). It is probably absurd to comment after all this time, but I think a really good example of a `pet the dog’ moment in `Emma’ by Jane Austen. At the start of the book, Emma is rather self-absorbed and meddlesome, BUT she really loves her dad, even though he’s overly controlling, petty, and a hypochondriac. It makes her likeable because you see that she’s been making a lot of sacrifices to stick around home so he won’t be alone, but she doesn’t seem to realize she’s sacrificing anything. She thinks she’s perfectly happy to never marry. In fact, it’s when she’s trying to reassure Mr. Knightly that she is not going to be board at all now that her only female companion in the house has married and moved away where she gets the idea to play matchmaker. 🙂

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