Search Results for: climax

8 Ways to Avoid Cardboard Characters (and Plot Contrivances While You’re At It)

“The plot was contrived, and the characters were cardboard.” Ouch. That’s about as bad as it can get when it comes to negative story reviews. It’s also perhaps one of the most common complaints audiences have about stories. Certainly, it’s one that irritates me the most! Here’s the thing though: cardboard characters often cause plot contrivances—and […]

Understanding the New Normal World of a Story’s Resolution

A story’s Resolution is a tiny section of the overall story. From the perspective of structural timing, the Resolution represents 2% or even less of the story’s total running time. Some stories give it the generous portion of as much as a few chapters. But in other stories, the Resolution may be implied more than […]

Understanding the Underworld of a Story’s Third Act

A story’s Third Act is unique. We often think of the Third Act in terms of its being climactic—and therefore full of excitement and high stakes. And it often is. But ultimately the Third Act fulfills a much more symbolic function within a story. Simply put, it is the proving ground for all the character […]

The Role of the Antagonist in Story Structure, Pt. 2 of 2

One way to think about plot is as a “push-pull between protagonist and antagonist.” Although the protagonist is the character who frames and, indeed, decides the story’s structure, the role of the antagonist in story structure is equally important. Last week, I shared an overview of the antagonist’s role in the first five major structural […]

The Role of the Antagonist in Story Structure, Pt. 1 of 2

If you’re a student of story structure, then you probably have a pretty good idea how each of the major plot beats affects your protagonist—and, indeed, how the protagonist in turn drives the plot beats. But what about the antagonist? What is the role of the antagonist in story structure? Plot can be described in […]

6 Ways to Craft Spectacular Set-Piece Scenes

What are set-piece scenes? They’re the big ones. They’re the scenes that define your story, not just in terms of plot mechanics, but particularly in terms of scope and impact. These are the scenes your audience will remember when they think about your story. They’re the scenes they’ll remember even when they’ve forgotten everything else about […]

Archetypes and Story Structure: How They’re Connected

By its very nature, story structure is archetypal. It is a pattern we recognize emerging from story. It is a pattern as big as life itself, and therefore one about which we are always learning more, but it is also a pattern we have been able to distill into specific systems that help us consistently […]

The Two Halves of the Climactic Moment

The Climactic Moment is the story in microcosm. The Climactic Moment is where the protagonist’s final relationship to the plot goal is determined by definitive success or failure, as is the character’s relationship to the thematic Lie and Truth. Although the events of the Climactic Moment might not be the “biggest” of the story, they […]

The Two Halves of the Third Plot Point

Like all the major structural turning points, the Third Plot Point is made up of two halves—which work together to create a scene arc (even though, technically, the entire arc of the beat might be told over the course of a scene sequence made up of many scenes). The halves that create this arc are […]

The Two Halves of the First Plot Point

The First Plot Point is one of the most important turning points within the entire structure of story. As with all of the major structural beats, the idea of a “turning point” offers the inherent concept of two halves: turning away from one thing/state into another thing/state. The First Plot Point is often referred to […]