Do You Need Personal Experience to Write About Something?

We writers like think of ourselves as metaphoric magicians—sitting at our desks, spinning worlds out of nothing but words and imagination. Pour a little research into the recipe, and our alchemy is complete. Yet an ongoing question among writers is the evergreen quandary about whether or not we must “write what we know.” In short, […]

7 Tips for How to Add Complexity to Your Story

So you want to add complexity to your story. Most authors do. Complexity just sounds so… sophisticated. It sounds like one of those novels or films that are taken apart and analyzed by really smart critics and professors. It sounds like taking your story to the next level. And in some ways, it is. Complex […]

Is Your Story Too Complicated? Here Are 9 Signs

Calling a story “complex” is a high compliment. But what is complexity? How can we learn how to write stories that are complex—without skidding across that narrow dividing line into complicated? What’s the difference between a complex story and a complicated story? And is your story too complicated? This a topic I’ve spent quite some […]

How to Write Emotional Scenes (Without Making Them Cringey)

Learning how to write emotional scenes is one of the single most important feats any writer must rise to. We want fiction to make us feel something. I’m not talking just a little twinge of satisfaction here or there. I’m talking full-on emotional experiences: tears, laughter, cheers, even rage on occasion. Scenes in which characters […]

How Perfect Does Your Story’s Structural Timing Have to Be?

Structural timing is one of most prominent features of story structure. This positioning of a story’s important turning points is one of the keys for creating a story that feels right to audiences. As often as not, when something seems off about a story, the problem can be narrowed down to wonky structural timing. This […]

13 Rules to Be a Better Beta Reader

Among the greatest gifts one writer can give another is that being a beta reader. A beta reader is a volunteer who reads over a rough manuscript and offers feedback on what’s working and what’s not. This feedback can span the gamut from simply a general reaction to a full-on critique. But not all beta […]

How to Structure Stories With Multiple Main Characters?

One of the most common questions I’m asked is how to structure stories with multiple main characters. If you have two (or more) characters who are equally important to the story and receive equal POV time, how should you balance them when structuring your novel? At its core, story structure is a simple equation: one […]

7 Tips for Opening Your Story In Medias Res

In medias res is the useful but sometimes tricky writing technique of beginning your story “in the middle” of things. At its most basic, this is simply a solid reminder to begin your story with something happening. This might be action in the traditional sense, but it might also just be the character moving toward […]

Clearing Up Some Misconceptions About In Medias Res

One of the most significant challenges for writers is crafting a beginning chapter that immediately grabs readers. Most commonly, writers are advised to accomplish this via two different methods: the hook and the technique of beginning in medias res, or “in the middle of things.” But are these really two different techniques? And if not, […]

Capturing Authentic Human Reactions in Fiction

The goal of all memorable fiction is to capture the truth about humanity. Sometimes that truth is weighty and all-encompassing, such as the ubiquitous “good triumphs over evil.” But sometimes the important truths in fiction are found in the tiniest representations of the world around us and the people who inhabit it. When authors faithfully […]