Search Results for: climax

Archetypal Character Arcs, Pt. 2: The Maiden Arc

The First Act of the human experience—roughly the first thirty years—may be thought of as a period of Initiation. It is a period of integrating the parts of one’s self. In many ways, it is a period in which the overarching, symbolic antagonist may be thought of as Fear. We use the arcs of this […]

Edward Scissorhands

Movie: Directed by Tim Burton. Hook: Edward lives alone in a mansion, where he has been ever since his creator, an inventor, died and left him “unfinished” with scissors in place of hands. Inciting Event: The nice Avon lady Peg discovers Edward in the mansion and invites him to live with her family. First Plot […]

Wishsong of Shannara

Book: By Terry Brooks Inciting Incident: Brin’s Plotline: Brin, who has the power to wield magic by singing, agrees to accompany the druid Allanon deep into the Eastlands to destroy a book of evil magic that is corrupting the land. Jair’s Plotline: Jair is captured by the gnome tracker, Slanter, who demands to know why […]

The Power of Chiastic Story Structure (Especially in a Series)

When writers put on their story theorist caps, nothing is more exciting than those moments when you get to recognize consistent patterns emerging within obvious story forms. This is the basis of all of our understanding (and musing) about story, including the chiastic story structure we’ve been studying these past few months. Although writers sometimes […]

The Midpoint as the Swivel Point of Your Story’s Linked Structure

The “saggy middle” of a story is one of the biggest challenges writers face. The Second Act is twice as long as the other two acts and yet is often less clearly defined. What’s a writer to do to keep the pacing just as tight and the events just as interesting over the long haul […]

The Link Between Your Story’s Hook and Resolution

On a theoretical level, art often comes down to patterns. As readers and even writers we are not always conscious of these patterns, but whenever we are able to recognize that a story works—or does not work—usually what we are responding to is the comparative effectiveness of certain underlying patterns. This is perhaps nowhere more […]

The Crucial Link Between Your Story’s Inciting Event and Climactic Moment

We talk about story being an arc, but in many ways it is more of a circle. A well-constructed story is a seamless whole in which its two halves reflect each other. We see this clearly in classic story structure, and perhaps nowhere more crucially than in the link between a story’s Inciting Event and […]

7 Considerations for Your Antagonist’s Motivations (Which Will Save You SOOO Much Trouble)

Your antagonist’s motivations can make or break your story. If your antagonist’s motivations are weak, unconvincing, or over-complicated (which is usually symptomatic of the first two problems), then you will severely undermine your story in several key areas. Not only will you end up with a weak character to oppose your protagonist, but you may […]

4 Questions to Prevent Plot Holes

How peachy would the writing life be if we didn’t have to prevent plot holes. Just imagine—you could write anything you wanted to, and every single thing would make sense. No need to worry about the fact that your two awesome scenes actually don’t make sense side by side. They get to be in the […]

An Intuitive 4-Step Process for Creating Vibrant Scene Structure

Creating scene structure is a key writing skill. Great scenes go a long way toward great storytelling; weak scenes result in weak storytelling. Unfortunately, many writers often struggle with vague, sometimes contradictory approaches to writing scenes. A scene should be a complete narrative unit. It should involve a relatively small number of primary characters—except when […]