How to Use Symbolic and Archetypal Settings in Your Story

Story settings serve as the backdrop, providing a tangible environment in which characters interact and events unfold. Most settings are realistic and straightforward, providing physical attributes of necessary locations in the story. But writers can raise stories to a higher level by employing symbolic and archetypal settings that go beyond mere description to act as metaphors for abstract concepts, emotions, or themes.

As representatives of the collective human experience, symbolic and archetypal settings enable writers to explore profound themes, create resonance, and immerse audiences in narratives that transcend the confines of the tangible world. Symbolic settings imbue narratives with layers of meaning, allowing writers to convey emotions, themes, and abstract concepts. Taken a step further, archetypal settings tap into shared cultural symbols and myths, offering familiar frameworks that connect deeply with readers.

Over the last few years, I have taught quite a bit about the power of archetypal stories. Specifically, in the many articles on this site, in my book Writing Archetypal Character Arcs, and in my recent Shadow Archetypes course, I have talked about how character archetypes can be used to create potent character arcs. Inherent to all those discussions are many other archetypes and symbols. If you’ve read the beat sheets I’ve provided for the six primary archetypal journeys, then you know they are steeped in mythological and metaphorical language. Something I’ve touched upon in those discussions but never directly addressed are archetypal settings.

A while back I received the following email from Matt Wright:

I’ve been looking into “setting archetypes” as tools for writers to use in their stories but haven’t found much out there. Symbolism.org calls it “Place Symbolism.” … I wonder if you have any thoughts on this?

Today, I thought it would be fun to dive deeper into this topic. Setting is such a crucial element within fiction. Often, we will refer to it as  “a character in its own right.” When done well, setting exists as so much more than simply a physical background designed to convince readers of a certain degree of realism. Rather, setting functions as context for everything in a story, which is what, in turn, deepens the opportunity for thematic subtext.

>>Click here to read “How to Choose Story Settings: The 4 Basic Types of Setting”

Although setting’s ability to offer commentary upon the rest of the story can, and often will, arise naturally from the writer’s own subconscious during creation, it is valuable to bring a deeper understanding to the symbolic and archetypal possibilities available for your stories’ settings.

There is much overlap between symbolic and archetypal settings. The distinction lies in contrasting their respective scope and significance.

A symbol is a specific object, image, or element that represents a broader, often abstract idea, theme, or concept. It carries meaning beyond its literal interpretation and can evoke emotions or convey complex notions within the context of a story. Symbols are versatile and can vary in interpretation across different cultures and contexts.

On the other hand, an archetype is a recurring pattern, character, theme, or setting that embodies universal symbols and resonates similarly across cultures and time. Archetypes are deeply rooted in collective human experiences and myths, representing fundamental aspects of the human psyche. They serve as timeless, recognizable molds that shape characters, narratives, and settings, providing a shared framework for how we understand and interact with stories.

While a symbol is specific and context-dependent, an archetype is broader and taps into the fundamental, archaic elements of storytelling that transcend individual tales. In essence, symbols are components within a narrative, while archetypes are overarching, recurring motifs that underpin the very structure of stories.

What Are Symbolic Settings?

Almost every story you can think of features a setting that qualifies as symbolic. Indeed, sometimes the entire story will be created around a specifically symbolic setting. This needn’t be overt. Although a story such as Labyrinth may be obvious in using its titular setting to explore the inner maze of the evolving self, stories such as Gilmore Girls or Sweet Magnolias may use the cozy confines of a small town to symbolize safety, support, and friendship in a much more natural and invisible way.

Sweet Magnolias (2020-), Netflix.

Even stories that aren’t explicitly aware of their own symbolism often end up using settings that reflect characters’ moods or internal struggles. For example, graveyards are commonly used as backdrops for explorations of grief, terror, or mortality.

A skilled writer who is conscious of the power available in setting will tweak settings to create important symbolism. For example, both the James Bond and Jason Bourne movies are about globe-trotting spies, but the way the international settings are used evoke totally different moods and metaphors to support the respective characters’ personal journeys.

The Bourne Identity (2002), Universal Pictures.

Following are some of the more common symbolic settings you might use in your stories.

1. Maze or Labyrinth

Represents the journey of self-discovery, challenges, and the complexity of life.

For Example: Labyrinth, Pan’s Labyrinth, The Maze Runner, Inception

Inception

Inception (2010), Warner Bros.

2. Forest

Symbolizes mystery, danger, the unknown, themes of transformation and growth, healing, connection to nature, and harmony.

For Example: The Lord of the Rings, Where the Red Fern Grows, Princess Mononoke, Robin Hood, Where the Wild Things Are

Princess Mononoke (1997), Studio Ghibli.

3. Desert

Conveys isolation, hardship, emptiness, and spiritual journey.

For Example: Lawrence of ArabiaThe Ten CommandmentsDuneMad Max: Fury RoadThe AlchemistThe English Patient

Mad Max: Fury Road (2015), Warner Bros.

4. Cave

Represents secrets, hidden truths, self-reflection, and the concept of rebirth.

For Example: The Empire Strikes BackThe Descent, Plato’s allegory of “The Cave.”

Star Wars: The Empire Strikes Back (1980), 20th Century Fox.

5. Castle or Fortress

Signifies power, authority, protection, and can also represent imprisonment or confinement.

For Example: DraculaThe Last CastleHarry PotterBeauty & the Beast

 

Harry Potter and the Philosopher’s Stone (2001), Warner Bros.

6. Ocean or Sea

Symbolizes the subconscious, vastness, exploration, the unknown, and the mysteries of life.

For Example: Life of PiMoby-DickThe Old Man and the SeaMoana20,000 Leagues Under the Sea, Finding Nemo, Cast Away, Ponyo

 

Moana (2016), Walt Disney Pictures.

7. Island

Represents solitude, isolation, self-discovery, and serves as a microcosm reflecting society.

For Example: Lord of the FliesRobinson CrusoeSwiss Family Robinson, The TempestAnd Then There Were None

Lord of the Flies

Lord of the Flies (1963), British Lion Film Corporation.

8. Cityscape

Captures the essence of modern life, complexity, anonymity, and the opportunities and challenges of urban existence.

For Example: Blade RunnerMetropolisWest Side StoryThe Great Gatsby

West Side Story (2021), 20th Century Fox.

9. Mountains

Signifies challenges, obstacles, spiritual ascent, and isolation.

For Example: Into Thin AirSeven Years in TibetThe Mountain Between Us.

Seven Years in Tibet (1997), Sony Pictures.

10. Ruins

Evokes themes of decay, the passage of time, and the aftermath of civilization.

For Example: The RoadI Am LegendIndiana JonesCity of EmberThe Time Machine

The Road Viggo Mortensen

The Road (2009), 2929 Productions.

11. Garden

Symbolizes Eden, innocence, the healing power of nature, and personal growth.

For Example: The Secret GardenThe Gardener

The Secret Garden (2020), StudioCanal.

12. Tunnels

Signifies hidden truths, the passage between worlds, and the exploration of the subconscious.

For Example: Alice’s Adventures in WonderlandPan’s LabyrinthThe Great Escape

The Great Escape (1963), The Mirisch Company.

13. Outer Space

Represents infinity, the unknown, exploration, and the cosmic forces that shape human existence.

For Example: 2001: A Space OdysseySolaris, InterstellarThe Hitchhiker’s Guide to the GalaxyThe MartianEnder’s Game

The Martian (2015), 20th Century Fox.

What Are Archetypal Settings?

Archetypal settings make use of symbolism, but take everything to a deeper place. In part, this depth is achieved through the shared understanding between writer and readers that the archetype represents not just thematic resonance, but a potential initiation of the psyche.

Archetypal settings may be literally archetypal in their presentation. For example, you may represent the Underworld in your story as Hades or some other equivalent. But it can also be represented more symbolically. In some stories, an underground tunnel, a graveyard, or the criminal “underworld” may be understood to represent more than just the setting’s practical function within the story.

An archetype holds the quality of transformation and transcendence. It represents the thresholds of the human experience—aka, the big changes in life, the moments that forever shift our perspectives. We may all walk by a hundred cemeteries in our lives. We may even connect to the shared symbolism of grief and the recognition of our mortality when we visit them for loved ones’ funerals. But none of these casual encounters will necessarily invoke the transformational archetype experienced by Ebenezer Scrooge in A Christmas Carol‘s use of this setting to catalyze permanent change.

Mickey’s Christmas Carol (1983), Walt Disney Pictures.

Here are some examples of possibilities for archetypal settings in your stories:

1. The Underworld

Represents the descent into the dark realm, representing either Death or the shadows of the unconscious mind. To go there and return is indicative of the archetypal experience of Death/Rebirth.

For Example: The InfernoCorpse BrideWhat Dreams May ComeCoco, Soul

Corpse Bride (2005), Warner Bros.

2. Garden of Eden

An idyllic, perfect setting that often symbolizes innocence and sets the stage for temptation and awakening. It is indicative of the archetypal experience of Innocence and Innocence Lost.

For Example: Paradise LostThe GiverAvatarThe Magician’s NephewThe Poisonwood Bible

Avatar (2009), 20th Century Fox.

3. The Kingdom

The archetypal seat of power, representing authority, leadership, and often the central location for epic tales. It represents the central archetype of psychological transformation, representing the Self. Its relative state of corruption or safety indicates the lessons to be learned in the story.

Example: The Grail legends, Lord of the RingsGame of ThronesThe Lion KingElla EnchantedThe Princess Bride

The Lord of the Rings: The Return of the King (2003), New Line Cinema.

4. Wilderness

A vast, untamed environment symbolizing both danger and the potential for self-discovery. It is indicative of the archetypal experience of descending into one’s shadow or unconscious on a quest for personal growth and wholeness.

For Example: The Call of the WildWildThe RevenantThe Edge

Wild (2014), Fox Searchlight Pictures.

5. The Wasteland

A barren, desolate landscape representing decay, loss, and the need for renewal or rebirth. Can share attributes with the ocean and the desert. It is indicative of the archetypal experience of confronting corruption and mortality.

For Example: Mad Max: Fury RoadThe RoadThe Book of EliThe Grapes of WrathChildren of MenThe Walking DeadChernobyl

Children of Men (2006), Universal Pictures.

6. Dream World

A surreal, fantastical world accessed through dreams or imagination, often challenging reality. Can also be a “mirror world,” paralleling reality in some telling way. It is indicative of the archetypal experience of confronting the unclaimed shadows of one’s unconscious—looking at what one doesn’t want to look at or confronting one’s fears.

For Example: InceptionThe Wizard of Oz, Spirited Away, Eternal Sunshine of the Spotless Mind, and my own Dreamlander

Spirited Away (2001), Studio Ghibli.

7. Temple or Sacred Space

A place of reverence and mystery, representing spiritual or sacred knowledge. It is indicative of an encounter with the divine, with archetypal Wisdom or Love, or sometimes just with a form of higher intelligence.

For Example: Seven Years in TibetStargateThe Last CrusadeThe Hunchback of Notre DameThe Shack

Don’t Let This Sloppy Technique Kill the Tension in Your Story’s Climax

The Hunchback of Notre Dame (1996), Walt Disney Pictures.

8. The City of Gold

A mythical city symbolizing the pursuit of wealth, success, or an idealized destination. It is indicative of an archetypal encounter with the ego, all that one desires or identifies with and all its subsequent temptations.

For Example: The Road to El DoradoAtlantis: The Lost EmpireLost HorizonTreasure of the Sierra MadreLost City of Z

Atlantis: The Lost Empire (2001), Walt Disney Pictures.

Archetypal Settings in the 6 Life Arcs

The symbolic and archetypal settings listed above are only a sampling of those available for you to use in your stories. Writers often instinctively choose the right archetypal setting to represent the central conflicts and themes of their characters’ journeys. Sometimes it will even turn out that a setting you thought you chose for practical reasons is the perfect metaphor and catalyst for your story’s deeper explorations of psyche and spirit.

In my book Writing Archetypal Character Arcs, I explored the six primary arcs of the human life cycle, each representing a significant initiation, beginning with the Maiden’s coming of age and traveling all the way through to the Mage’s surrender of life. These stories (of which the Hero’s Journey is the second) are deeply powerful frameworks upon which to build plots that tap the archetypal foundations we share with our readers.

If you are interested in writing one of these arcs (which you can explore in more depth here), you may be particularly interested in mapping out the specific archetypal settings inherent to each one.

1. The Maiden: Home

The Maiden Arc begins in the Protected World of her early residence and takes her into the Real World beyond its boundaries. Although this transition can be dramatized via any number of possible symbolic settings, the primary archetypal setting around which her entire journey revolves is that of the Home.

Specifically, this is the Home of her childhood, the home of her parents or caretakers. In certain types of stories, this may not be represented literally, but it should evoke the sense of being relatively safe and cared for. The Maiden’s growth arc is that of moving beyond the controlling protection of her authorities into responsibility for herself and her own well-being. The Home setting symbolizes everything she risks losing in this transformation, as well as the constrictions of childhood she is being called to leave behind.

For Example: Ever AfterBend It Like BeckhamThe Truman ShowLittle Women

Danielle and Paulette in Ever After

Ever After (1998), 20th Century Fox.

2. Hero: Village/Road

The Hero Arc begins in the Normal World of the First Act and takes him into the Adventure World of the Second Act. The archetypal setting that frames both these symbolic words is the Village. Best known from classic portrayals of the Hero’s Journey, such as those originated by Joseph Campbell and Michael Vogler, the Village represents the home the Hero shares with his tribe. It is the place from which he leaves to embark on the Road during his quest; indeed, it is the place he specifically leaves to protect. And it is the place to which he will return with the healing elixir at the end after overcoming the Dragon.

Although the Village may be literally represented by a small town, what it symbolizes is community. Like the Maiden’s Home, the Village encompasses both the stifling qualities the Hero wants to leave behind and must fully individuate from, but also the redemptive and loving qualities that will inspire him to return with aid and to re-integrate as a healthy member of society. The Road, with all its dangers, will provide the Hero with the adventure he craves, the experience he lacks, and ultimately the perspective required to find his place within the Village.

For Example: MulanTreasure IslandThe GooniesBack to the Future

Back to the Future (1985), Universal Pictures.

3. Queen: Hearth/Kingdom

The Queen Arc begins in the Domestic World of the First Act and takes her into the Monarchic World. She will begin at the Hearth, a cozy space not unlike the Maiden’s Home, but with the difference that the Queen is ruler of this little world. The Hearth represents her great loving heart and her capacity to care for others. She will then be challenged to grow into greater leadership by stepping beyond the Hearth into the wider Kingdom.

Although the Kingdom can be seen as an archetypal backdrop for all the archetypal arcs (or, really, any story), for the Queen the symbolism of the Kingdom is specifically pertinent, as she is challenged to take the throne of her story’s world. The Kingdom represents a broadening of her influence. She moves from being responsible for a family or perhaps the Village to now taking charge of a much vaster realm. The contrast between Hearth and Kingdom is striking, and the transition is not always an easy one, as embracing the power of the Kingdom often feels like sacrificing the comforts of the Hearth.

For Example: ElizabethA League of Their OwnThe Incredibles42

Elizabeth (1998), PolyGram Filmed Entertainment.

4. King: Palace/Empire

The King Arc begins in the Regal World and takes him into the Preternatural World. The foundational setting archetype for the King is that of the Empire he rules, which is often symbolized on a smaller level by the Palace in which many of the scenes take place. Although the King may venture outside the Palace, he will not venture outside his Empire. Rather, the great Cataclysm that threatens his reign will infiltrate his realm and come to him.

The Cataclysm itself can be viewed as a sort of setting—as an apocalyptic stormscape of sorts—that alters the base setting of Empire, turning what was once safe and protected into someplace dangerous and uncertain. The King’s arc will evolve him into a surrender of his power and an exit from the world stage. The supernatural aspects of the Preternatural World may be represented by grand archetypal settings, but more likely by the inner landscape of his own mind.

For Example: CasablancaIron LadyBraveheartBlack Panther

Black Panther (2018), Marvel Studios.

5. Crone: Hut/Underworld

The Crone Arc begins in the Uncanny World and moves to the Underworld. Symbolically, a Hut in the dark forest best represents the Crone’s starting place. She begins in a comparatively small and confined physical space—symbolizing, in part, the comparative smallness and constriction of her own diminishing physicality. From there, she will begin to explore her potential for psychological and spiritual vastness.

The Underworld is the crucial archetypal setting for the Crone. It represents her central challenge of confronting Death, via her own mortality, and discovering the hope necessary to still embrace Life. Although the Underworld may, of course, be dramatized literally, it may also be represented quite subtly. What is important is that it brings with it that sense of the uncanny—the sense of moving beyond the ordinary into non-ordinary reality.

For Example: Howl’s Moving CastleOur Souls at Night, UpPaladin of Souls

Howl’s Moving Castle (2004), Studio Ghibli.

6. Mage: Cosmos

The Mage Arc begins in the Liminal World and moves to the Yonder World. What is meant by this is that the Mage begins already with a broadened perspective that allows him to see the greater truths of Life and to look beyond into the even greater truths of Death. From there, the arc of his story will eventually take him beyond this world, into the “Yonder.” His realm is bigger than simply the practical concerns of the Queen’s Kingdom or the King’s Empire; he understands that these domains are but tiny pieces of the larger Cosmos.

However, as big as the Mage’s archetypal setting can indeed be, it is often represented more practically by the much smaller archetypal settings of previous archetypes. The Village, Kingdom, and Empire can all be on the map of his journey, as he travels to help younger archetypes with their own challenges. What is most important in choosing the Mage’s archetypal settings is that they contrast the physical limitations with his own understanding of himself as a “citizen of the Cosmos,” as someone who is “in the world, but not of it.”

For Example: Miracle on 34th StreetMary PoppinsThe Legend of Bagger VanceStar Wars: A New Hope

***

While all stories find grounding in realistic descriptions, the magic of symbolic and archetypal settings shapes a narrative’s very soul. Symbolic settings transcend the literal, weaving layers of meaning into the narrative fabric, while archetypal settings tap into the symbols, resonating across cultures and epochs. As conduits of collective human experiences, these settings unlock profound themes that transport audiences into the realms of metaphor and myth. Each symbol and archetype serves as a portal, inviting readers on a transformative journey.

Wordplayers, tell me your opinions! What symbolic and archetypal settings have you used in your stories? Tell me in the comments!

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About K.M. Weiland | @KMWeiland

K.M. Weiland is the award-winning and internationally-published author of the acclaimed writing guides Outlining Your Novel, Structuring Your Novel, and Creating Character Arcs. A native of western Nebraska, she writes historical and fantasy novels and mentors authors on her award-winning website Helping Writers Become Authors.

Comments

  1. Interesting, Katy… My novels are all set in real locations, though occasionally re-named or composites of more than one actual place, but I realised from reading your piece that I’d used a setting to highlight a particular character’s character in my latest novel (at present with the editor for final edit/proofreading).
    I’ve introduced the main ‘bad guy’ character in a short prelude which opens the book, and isn’t set in any location used in the rest of the novel. The action in the prelude (a racist attack… my bad guy is a vicious racist), isn’t connected to the plot of the novel itself apart from racism and ‘white supremacy’ being at the core of the plot (It’s a crime novel).
    The isolated scene takes place in a city backstreet in Bristol (South west England), giving it an urban, but otherwise ‘everyday’ kind of vibe. In any other setting, the sheer evil of the character’s behaviour wouldn’t be conveyed in such a way.
    Here’s that prelude… Judge for yourself whether it works or not. – Apologies for the bad language, and the use of racist insults, but it’s the kind of language such a character would use… at least in the UK. He really is a very nasty piece of work.

    • K.M. Weiland | @KMWeiland says

      Hi, I did remove the excerpt, since I feel it’s something people shouldn’t have to encounter here without more of a warning. However, I totally agree that real life settings can be (and are) just as archetypal as more obviously fantastic settings. Ultimately, the archetypes are all around us. They arise from real life, as much as the other way around.

  2. This is a cool idea. I never considered the concept of an “archetypal setting,” though I can see from your list that I have used a few:
    ~ Dream setting, where the architect of the dreamland is a star nymph who is exploring the heroine’s memories. They start in an idyllic “garden of Eden,” then pass through “gates” that represent certain memories of the heroine.
    They come to one gate that is constructed of solid bronze doors and shut tight: this is where you find the heroine’s “ghost,” the massacre of her parents that shaped her personality. Which took place in a wasteland … after surviving the massacre she had become controlling and overprotective of her remaining loved ones. The star nymph wants to know if she now understands that she *should not* seek such power and control.
    Visiting the heroine’s memories and overwhelming her with the emotions she felt on the worst day of her life is a test. The boon the star nymph has to offer the heroine should NOT be used by someone who wants to undo fate, or treat people as puppets to control “for their own good.”
    2 – Mage / cosmos — another character is in a limbo realm between life and death, and is obliged to deal with cosmic threats and issues. To survive certain onslaughts she has built a stronghold for herself, an imitation of the temple where she received her training as a child. Her memories of the real temple are so strong that the temple is an occasional setting for dreams she had in the living world. But from her stronghold in the limbo realm she can access the living and the dead. This particular character is an immortal who was forced to risk death in order to stay true to her mission, so the limbo realm is a fascinating situation for her.
    I’ve used several of the other settings you mention, but never thought consciously of them in that symbolic / archetypal way. Yet the way I used them eerily tracks with their symbolic meanings. I’m definitely going to be more intentional about this in the future, especially when I want the setting to resonate with readers. Thank you for this new “arrow” in my storytelling quiver!

    • K.M. Weiland | @KMWeiland says

      I think it’s so much fun when we encounter techniques that we knew nothing about when writing, only to discover we were instinctively using them. To me that’s the power of story theory all in a nutshell–we’re already doing what works to some extent. We just have to learn to do it with more consciousness.

  3. Wow. This podcast really made me think about the story I am writing. The settings of a small town, a hospital, and a prison, all took on a different dimension. I even looked up the symbolism of The Green Mile. Thank you.

    • K.M. Weiland | @KMWeiland says

      The Green Mile is so great. It’s a perfect blending of reality and archetype. Have fun with your story!

  4. Thank you so much for this stunning insight into symbolism and setting. I needed this!

  5. This is awesome! Thank you for clarifying the difference between symbolic and archetypal settings and how they relate. This has given me a lot to think on.

    Random question: I know character archetypes have arcs, but do setting archetypes also have arcs? Especially since we are to treat them like characters? What would that look like?

    • K.M. Weiland | @KMWeiland says

      Interesting question. I would say… generally, no. But it’s certainly possible, depending on how the author uses them. It sounds like something fun to explore, for sure.

    • I like this idea! I’m thinking of “Elementary,” the modern Sherlock Holmes where Watson is “Joan” instead of John. Initially Sherlock’s townhouse looks dreary and broke-down, which is congruent with the state of his life: his father exiled him because of his heroin addiction. Sherlock grouses that his father chose the more squalid of his properties to send him to.

      But by the series finale, Joan’s influence results in the townhouse becoming a beautiful showpiece with gorgeous paint colors on the walls and nice furniture and such. Keep in mind I’m one of those people who watches old movies for the clothes and architectural details. A setting is good when I’m wondering how to DIY the look of the it at home 😀

      I think you see similar “arcs” with a garden of brambles and thorns becoming a serene oasis with flowers, or an Augustan “I found this a city of bricks and left it a city of marble.”

      Thank you!

  6. This is a wonderful way to take settings to a new level. My current project uses primarily a town, outer space, and an alternate dimension. After reading this article, I see how they align archetypally, offering more levels of fun. Thank you!

  7. Looking at the novel I’m working at now, the setting with the most obvious symbolic meaning is a cottage in a forest. At times the characters love it as a peaceful refuge from society at large, but it is also in a major wildfire hazard zone. At one point they have to shelter in the cottage and run air purifiers to protect them from the dangerous wildfire smoke outside. Though the wildfire never reaches the cottage, that possibility is on their minds.

    There is also a scene literally set in a graveyard.

  8. This has really opened my eyes to the symbolism in my book. The protagonists moves from an oppressive broken marriage symbolized by the place she works and lives a northern England mill town (set in the beginning of WWII) with its pollution and controlling factory workplace with machines to which workers are almost slaves to their mechanical needs ‘dark Satanic mills.’ When she leaves the marriage and flees to the home of a ‘wise woman’ with a bucolic lifestyle and the freedom she finds there. So from the evil industrial confines to nature and purity reflects her personal growth from repressed housewife/worker to confident successful business woman.

  9. Jennifer Edelmeyer says

    As an engineer I like including what I experienced in my working life in my stories, though I totally understand that most people aren’t “techies” who find oil refineries, offshore rigs, superfund sites, landfills, and water treatment plants places of infinite fascination.

    An industrial facility would be a great place for a horror story as it can get creepy in there at night. 🙂 However, in a story, what’s important is the human drama and how the setting serves the drama.

    I’ve been kicking around in my mind a story about what will happen to my well ordered industrial facility after the “cataclysm” roars through because the “king” failed to complete his arc. It’ll either be the “normal world” beginning in a cityscape or castle/fortress and ending up as ruins, or it will begin as ruins and hopefully find some kind of healing/redemption.

    Bad decisions and bad engineering bring us to the archetypical setting for “5. The Wasteland.” In the bad decisions one finds the human drama.

    Thank you for throwing light on what I’m trying to do.

  10. Excellent! Thank you. My preparation for the hero to put together their team is a in a jungle. The forest archetype should include a 3D chess factor where teamwork makes everyone succeed at a higher level.

  11. Bravo… Two paragraph summaries of… Archetypal Settings in the 6 Life Arcs…are simply BRILLIANT !!! Now proving to be an inspiring framework upon which to cast my story and generate new and refreshing perspectives for word-smithing log-lines and plot summaries…

  12. “I have this theory that writing a story isn’t so different from dreaming a night dream.” I’ve been reading your posts for a while, and have developed a theory that all stories are highly similar. Scientific hypothesis, business plan to guide a project? Similar. Getting a mentee to write a plan for the next part of their life – similar. Why should their life plan be that much different from a fiction story? They are going to be the main character in this story, and it is fiction in that their story hasn’t happened yet. Add a little productive drama. Be the protagonist with a positive change arc. Go into a little detail about the typical antagonists that come against the arc like theirs.

  13. Thank you. I enjoy all your teaching but this by far surpasses them all. The Archetypal settings and those linked with archetypal characters in particular.

  14. All your teachings are helpful but this surpasses them all. Especially the archetypal settings linked to archetypal characters helps build the arc and opens scope for more creative settings and story telling.

  15. I’m a little late to the party (been so busy lately!), but I wanted to stop by and say how fascinating and inspiring this post was, Katie. I love symbolism, and setting is the perfect way to do that. In the story I’m editing, my Viking book, two of three of the main settings are an island, a forest on the island, and a beach.

    The main conflict is about letting go of the past to embrace the future, and the symbol of the island comes in play because the MC struggles through doubts concerning her religion.

    In the forest, she is faced with danger from enemies, death, and wildlife, and this reflects the unknown and the potential danger of not knowing what is after life.

    The beach is kind of the ocean symbol, because the MC ponders the mysteries of life there.

    Thank you for writing this!

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