It’s important for authors to get the nuances of slang in dialogue right. All our research into dialectal idiosyncrasies is time well spent if it means nailing the way a particular character speaks. Smart readers will always recognize phony speech patterns. For example, readers of Young Adult fiction are notoriously good at spotting less-than-accurate character […]
September 16, 2019 by 34 Comments DialogueCritique: 10 Ways to Write Excellent Dialogue
For many people, dialogue is the heartbeat of fiction. As arguably the only true form of “showing” in written fiction, it offers an inexhaustible source of energy for dramatizing characters, catalyzing conflict, and enhancing every available opportunity for entertainment. That’s why it’s so important to take full of advantage of dialogue, and that’s why we’re […]
April 30, 2018 by 47 Comments DialogueWhat Should Your Characters Talk About?
Dialogue is the best part of stories. (Yes, even better than Dickensian narratorial diatribes about crooked politics.) But it’s tough to write scintillating dialogue when you find yourself asking that fundamental question: “What should your characters talk about?” As writers, we’re familiar with the rant about “show, don’t tell.” We’re supposed to bring our stories […]
September 22, 2017 by 34 Comments Dialogue5 Tips for Creating Believable Fictional Languages
Gone are the days when you could speak gibberish in a movie or a novel—think Princess Leia’s scene negotiating with Jabba the Hutt in Return of the Jedi—and pass it off as obscure, exotic fictional languages. Today, when your characters speak fictional languages, your audience expects these languages to sound real, with natural-sounding vocabulary and […]
August 7, 2017 by 32 Comments DialogueMost Common Writing Mistakes, Pt. 61: 5 Types of Clunky Dialogue
When you write excellent dialogue, you will simultaneously sharpen the rest of your narrative tools. When you write clunky dialogue, however, it’s unlikely readers will be able to engage with the story on any level. Happily, dialogue is usually one of the most enjoyable and intuitive parts of writing narrative fiction. We all do dialogue […]
April 28, 2017 by 51 Comments DialogueHow to Write (and Not Write) Expository Dialogue
Dialogue is one of the most versatile of all narrative fiction techniques. It allows us to characterize, to create both context and subtext, to entertain via humor, and to share some of the best and punchiest prose rhythms in the entire book. Because it is the only narrative technique that is a “true” form of showing, […]
July 15, 2016 by 79 Comments DialogueHow to Write Subtext in Dialogue
Part 5 of The Do’s and Don’ts of Storytelling According to Marvel Good dialogue comes down to five factors: 1. Advances the plot. 2. Accurately represents characters. 3. Mimics realism. 4. Entertains. 5. Offers subtext. These are also pretty much the “levels” in which we master dialogue. When we start out learning to write, our main concern is that the dialogue […]
November 6, 2015 by 36 Comments DialogueHow to Write Funny Dialogue (What I Learned Writing Storming)
This week’s video shows you the two important (but often overlooked) ingredients in figuring out how to write funny dialogue your readers will love. Video Transcript: Today, I’m excited to welcome you to the first installment in a month-long series featuring important writing lessons that I learned in the past few years while writing my […]
April 22, 2015 by 34 Comments DialogueAn Easy Way to Immediately Improve Your Character’s Action Beats
This week’s video shows you how to take your dialogue’s action beats upon a notch by focusing on symbolism and subtext. Video Transcript: A novel cannot live on dialogue alone. Dialogue may be the most fun part to write; it may be the most fun part to read. But you can’t build a whole story […]
January 18, 2015 by 93 Comments DialogueGet Rid of On-the-Nose Dialogue Once and For All
Know what sets apart the okay writers from the great writers? Subtlety and subtext. This is true in absolutely every area of storytelling, from narrative to plotting to character development. But the lack of subtlety and subtext is perhaps nowhere more obvious than in dialogue. I’m talking, of course, about on-the-nose dialogue. When I pick up a potential […]
