In her wonderful book 13 Ways of Looking at the Novel, Pulitzer Prize-winning novelist Jane Smiley, commented that “readers don’t care what the author thinks.” She meant, of course, that readers don’t want the author to intrude himself and his own beliefs upon the story. Indeed, isn’t one of the cardinal rules of fiction that the author […]


Three Easy Ways You’ve Never Thought of to Keep Track of Time in Your Novel
Do you know, without looking, how much time your novel covers? If the question has just pushed you into the predicament of either scrunching up your face or staring at the ceiling in an effort to tally up your various scenes and arrive a reasonable figure of days, then the answer is probably an unqualified, […]

6 Ways to Create Riveting Conflict in Your Story
Who says conflict is a bad thing? Who says world peace is the most important goal of humanity? Who says arguing with your little brother when you’re a kid means you’ll grow up to be an ill-mannered ruffian? Not a writer, that’s for sure! Arguably, the single most important tenet of fiction can be summed […]

Subtext: The Art of Iceberging
Sometimes the most powerful writing isn’t so much about what’s said as what isn’t said. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as […]
Writing Rules? We Don’t Need No Rules!
Art has to bear up under the strange dichotomy of both following set patterns and breaking those patterns. Writing is certainly no different. The so-called Writing Rules are what make stories work. And, probably more importantly, they’re what get authors published. Readers and publishers alike expect stories to follow certain parameters. Authors are supposed to […]

Showing and Telling: The Quick and Easy Way to Tell the Difference
Arguably the most important rule of fiction is the age-old Show, don’t tell! Sounds simple, right? And yet many inexperienced (and some not-so-inexperienced) writers struggle with this foundational principle of showing and telling. After all, isn’t all of writing telling? Every word we write is for the express purpose of telling the reader what he’s […]

The Ridiculously Surefire Way to Write the Perfect Novel
Is there such a thing as the perfect novel? And, if so, how does one go about writing it? I think most of us would agree that that the answer to the first question is an indisputable no. Perfection in art is unequivocally subjective. What one reader hails as perfection, another will throw across the […]

Why Writers Should Never Have Downtime
Here’s a scenario that you’ll probably find familiar: You’re sitting there, brow knit in concentration, working very hard on untangling a knotty story problem, when along comes a non-writing friend or family member. “Whatcha doin’?” he asks. You give him barely a glance, your mind still lost in your make-believe world. “Working.” “Uh-huh,” says Mr. Friendly […]

2 Rules for Making Time to Write
“‘It is only half an hour’—‘it is only an afternoon’—‘it is only an evening’—people say to me over and over again—but they don’t know that it is impossible to command oneself sometimes to any stipulated and set disposal of five minutes—or that the mere consciousness of an engagement will sometimes worry a whole day. These […]