11 Dichotomous Characters–and Why You Should Be Copying Them

Fiction writing doesn’t offer many shortcuts or magic formulas. But today I am going to give you a secret ingredient in that coveted recipe for memorable and realistic characters. What is this ingredient? Dichotomy.

If we expect our characters to jump off the page into three-dimensional living color, we have to give them multi-faceted personalities. Human personalities are wonderfully (and sometimes frustratingly) varied. No one is 100% good or 100% bad; there are multitudinous shades of gray in all of us. And so it should be with our characters. Take a look at the following list of classic characters and the dichotomies that made them so memorable.

1. Long John Silver

(in Treasure Island by Robert Louis Stevenson)

You’d expect a treasure-hungry, bloodthirsty pirate to be bad right down to the tip of his peg leg, but few of these bad boys reached the legendary status to which Captain Silver attained thanks to his fondness for an upright youngster named Jim Hawkins. Silver may have been a nasty cutthroat, but his affection (and his actions to back it up, even when the going got tough) made him worth remembering.

Long John Silver Disney Treasure Island Robert Lewis Stephenson

2. Aunt Abby & Aunt Martha Brewster

(in Arsenic and Old Lace by Frank Capra)

At the center of Capra’s madcap classic are two of the sweetest little old ladies you’re likely to find anywhere this side of your grandmother. In fact, they’re so sweet viewers would be likely to pass them off as maudlin clichés—were it not for their unforgettable desire to help lonely old men… by poisoning them.

Aunt Abby and Martha Brewster Arsenic and Old Lace Frank Capra

3. Mr. Darcy

(in Pride & Prejudice by Jane Austen)

What discussion of dichotomous characters would be complete without mentioning the multi-faceted Mr. Darcy, whose brooding paradox of arrogance and bashfulness, tactlessness and generosity hoisted him to the top of the pile as one of literature’s most fanatically loved characters.

Mr Darcy Matthew Macfayden Pride and Prejudice Jane Austen

4. George Bailey

(in It’s a Wonderful Life directed by Frank Capra)

Grumpy, disillusioned, dissatisfied George Bailey appears on our television screens every Christmas. He’s an unhappy and even unlikable man for much of the movie, but what we love—what we keep coming back to see year after year—is the inherent goodness, the unfailing selflessness hidden away beneath all that grumbling. We resonate with George Bailey, because we see that same mixture of good and bad every time we look in the mirror.

George Bailey James Stewart It's a Wonderful Life Frank Capra

5. Alan Breck Stewart

(in Kidnapped by Robert Louis Stevenson)

Alan Breck Stewart, the brash Jacobite soldier, isn’t our idea of a gentleman—any more than he is protagonist David Balfour’s. Rough and rude and crude as he may be, Stewart’s lasting impression upon us is his unfailing honesty and integrity. But neither his brashness, nor his uprightness, would be nearly as memorable in isolation.

Alan Breck Stewart Armand Assante Kidnapped Robert Louis Stevenson

6. Jack Aubrey

(in the Aubrey/Maturin series by Patrick O’Brian)

O’Brian’s deft ability to sketch characters has given us the inherently flawed and inherently lovable lifelong royal seaman Captain Jack Aubrey. Aubrey’s brilliance at sea and in battle contrasted with his naïveté and even ineptitude regarding matters on land gives him a marvelous stamp of authenticity. And who could forget his unexpected penchant for classical music?

Captain Jack Aubrey Master and Commander Far Side of the World Patrick O'Brian Russell Crowe

7. Jason Bourne

(in The Bourne Identity directed by Doug Liman)

Killers with a conscience are perhaps one of the most common dichotomies in fiction. But few are as well rounded as the movie version of amnesiac assassin Jason Bourne. The entire story is driven by the question Why would a man with an obviously integral sense of morality willingly choose to become a professional killer?

Jason Bourne Bourne Supremacy Matt Damon

8. Mr. Magorium

(in Mr. Magorium’s Wonder Emporium by N. E. Bode and Juliana Baggott)

This whimsical children’s story is certainly a stretch on reality. But the age-old wisdom and the intrinsic innocence of toy-shop owner Mr. Magorium still resonates. How can a man who knows so much still maintain such a childlike sense of wonder and imagination? The question is never answered, but we end up being so fascinated by the character of Mr. Magorium that we hardly care.

Mr Magorium Wonder Emporium Dustin Hoffman

9. King Kong

(in King Kong directed by Peter Jackson)

The great ape of classic cinema may not be the best character ever put on film, but he remains memorable simply because he presented such a beautiful dichotomy: a primal, instinctive killer who bestowed his own version of kindness and gentleness on the one person he loved.

King Kong Andy Serkis Naomi Watts Peter Jackson

10. Léon

(in Léon (The Professional) directed by Luc Besson)

More or less duped into being a killer for hire, émigré Léon lives a life of silence and loneliness, bestowing his affections only in his diligent care of his Japanese peace lily. Jean Reno’s characterization gives us a brilliantly subtle character, whose seeming simplicity only adds deeper layers to what could have so easily been a cookie-cutter character.

Leon the Professional Luc Besson Natalie Portman

11. Tom Doniphon

(in The Man Who Shot Liberty Valance directed by John Ford)

Rough and ready homesteader Tom Doniphon rides roughshod over pretty much everybody, including his longtime girl Hallie. But when the cards are the table and he has to choose between losing Hallie and doing the right thing, he proves that what you see isn’t always what you get.

Tom Doniphon John Wayne James Stewart John Ford Man Who Shot Liberty Valance

Take a look at your own characters. Are any of them too black and white? Could they do with a little dose of dichotomy? Give it a try. Maybe you’ll be writing the next classic character take up residence with those mentioned here!

Wordplayers, tell me your opinion! Are there any dichotomous characters in your work-in-progress? Tell me in the comments!

11 Dichotomous Characters--and Why You Should Be Copying Them

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About K.M. Weiland | @KMWeiland

K.M. Weiland is the award-winning and internationally-published author of the acclaimed writing guides Outlining Your Novel, Structuring Your Novel, and Creating Character Arcs. A native of western Nebraska, she writes historical and fantasy novels and mentors authors on her award-winning website Helping Writers Become Authors.


  1. LOVED this post…especially all of the movie clips! I sat here and just laughed over the Arsenic and Old Lace by Frank Capra clip. I love memorable characters!

  2. Arsenic & Old Lace is a hoot. I just watched it here recently, and it was actually what spurred this whole post.

  3. My fairy god-father is only “helping” out of guilt for killing the MC’s mother. It’s hard to tell whether he’s the villain or not for most of the story. Figuring out his motivation made him SO MUCH mite interesting!

  4. Interesting list, but disappointing that it’s nearly all male characters.

  5. Jim Salimes says

    Thanks, I see this in my characters , and now I am going to strengthen it.

  6. Another good one from you! You’re on fire! It amazes me how you can pump out regular content like you do, without the quality diminishing. I have to say, I love that you opened it with John Silver! I adore Treasure Planet (haven’t read the book), and he is SUCH an interesting, multi-faceted character. His tenderness for Jim is what sells him for me, and I love how that contrasts with his hardened pirate reputation! Also: Mr. Darcy is a perfect example! Thanks for sharing another awesome insight! 🙂

    [Side note: I really like the font you use!]

    • Didn’t realise this was such an old post, but what I said is still true! Your new posts still retain the quality and regularity that makes your blog so reliable!

    • K.M. Weiland | @KMWeiland says

      Thanks! And, yes, I adore the Treasure Planet adaptation of Treasure Island. All the relationships in it are just perfect.

  7. Europa Thomas says

    I’ve given every character in a Sci-Fi story I’m writing his or her unique flaw, and I do have a dichotomous character. She’s had a rough life so she’s bitter and as a hard as flint. You can’t hurt her and you can’t cheer her up. She abhors sentimentality. You’ll almost never her speak above or below a flat voice.
    But she loves her family and has an undying loyalty which she can never talk about or show in anything but an flat and crude (not crude as in impolite, though manners aren’t her greatest talent, but crude as in awkward) way, but if you know her, you know what she means. She’s also a woman of faith, despite her lack of outward piety.
    Thanks for this post. I enjoyed it and found it helpful.


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